Weekly Roundup
Reviews by Ariel Morer
Through otherworldly synths and a driving bassline, UK alt-pop artist MOLTENO beckons us into her lucid dreams on “Moonlight.” This track will transport you to an extraterrestrial beachside highway no matter where you are.
Hands Up (DON’T SHOOT!)- Benjamin Carter
Singer-songwriter Benjamin Carter expresses vulnerability regarding his experience as a Black man in America in “Hands Up (DON’T SHOOT!). The dynamic sonics, mix, and writing are not only impeccable, but the message is a necessary account of the fascism that defines America’s police force, most notably as it relates to the racial targeting and murder of Black civilians.
Finish The Job- Benjamin Carter
Another single off of Carter’s new EP, Black Boys On The Radio: Part 1, “Finish The Job” grasps the listener through skilled vocals, memorable melodies, and smooth electric guitar riffs. The song is a scathing criticism of those that use societal power to further oppress marginalized communities and highlights their cowardice.
Shoegaze-synth pop track “Taste” is a dreamy, sensual display of singer-songwriter Ari Abdul’s artistry. The single is a “vampire love story,” writes Abdul. Airy, smoky vocals nod to Lana del Rey, and whooshing reverberated guitar incorporates production reminiscent of The Neighbourhood.
Indie-folk songwriter Emily Elbert is quietly astonishing on “Not Alone.” Incorporating elements of jazz, folk, psychedelia, and Brazilian percussion, Elbert sings of the interconnected human experience and what it means to be both individual and the same amongst the cosmos. You can check out a live version of the song with legendary virtuoso, Jacob Collier, here: https://www.youtube.com/watch?v=syGDav9G0Kw
Canadian artist Sigh Down One weaves a woozy indietronica soundscape in “Durocher,” an evolving, reverberated number reminiscent of Grimes, Cocteau Twins, and Slowdive. The sound design and organic instrumentation seamlessly work together to craft a lush, colorful auditory palette.
Through understated delivery, muted lo-fi production, and a near-whisper, Filipino musician Eyedress teams up with Canadian singer HOMESHAKE to bare their feelings on “SPAGHETTI.” For fans of Mac Demarco and Cuco, Eyedress captures a distinct brand of downtempo indie rock nostalgia, melancholy, and sincerity.
The second single off of XATIVA’s unreleased EP Fly Away, “Here With Me” showcases the singer’s classical training alongside modern writing sensibilities. The Swedish-Ecuadorian artist crafts a wistful, romantic take on how it feels to miss someone. Jazzy chords juxtaposed against a pop structure generate a sense of uneasiness atop overarching tranquility, keeping the listener on their toes.
Singer-songwriter-producer Morgan Clae bares it all on “Wilder Things.” The heart-grasping narrative details what it means to navigate a queer identity despite a religious Christian upbringing. Clae’s dexterous, polished vocals shine as the channel for her message of authenticity, backed by heartfelt, understated piano.
New York native ROSIE sings candidly about feelings of insecurity and body dysmorphia in “Something I Hate.” The 21-year-old violinist, guitarist, producer, and songwriter shows wisdom and writing prowess beyond her years, and poises herself against industry greats like Sasha Alex Sloan and Julia Michaels with this release.
hate you to love myself- Francisco Martin
“hate you to love myself” exhibits Francisco Martin’s adeptness at vocal artistry, commercial songwriting, and production. Candid, catchy, and relatable, the LA-based musician grapples with destructive past behavior in this introspective pop-rock confessional.
